The collection (2017) was made of three types of stoneware clay in order to give the pieces a more expressive approach. The concept had an ontological character manifested in the Touch, thoroughly seen in the fingerprints spread all over the surface. From the very beginning, the pieces were imagined as genuine ceramic objects, that will use their visual language to take the poetry out of the solid structure. The textures are connected in a bare symbiosis, which is sensed through out its honest gesture.

 

Touch can feel and be felt – touch is a feeling. Touch cannot be fooled, it is a messenger of truth.

 

Touch!